海明威人生英文名人名言

海明威人生英文名人名言（精选9篇）

海明威人生英文名人名言 第1篇

1. 决不要同你并不爱的人一起出门旅行。 不要搞任何花招去迎接任何一种俗套。 海明威 《流动的盛宴》

2. 但是这就是巴黎早期的样子，那时候我们很穷，却很幸福。 欧内斯特海明威 《流动的盛宴》

3. 我们生下来有什么就是什么，从来不需学会什么，我们从来不吸收任何新的东西。 海明威 《永别了武器》

4. 我同情所有不想上床睡觉的人。同情所有夜里要有亮光的人。 海明威 《乞力马扎罗的雪》

5. 一个国家里有个统治阶级，愚蠢，什么都不懂，并且永远不会懂得。战争就是这样打起来的。 海明威 《永别了武器》

6. 然而，在那些日子里，春天最后总是来临，但是使人心惊的是它差一点来不了海明威 《流动的盛宴》

7. 如果你什么都做得太久，开始得太晚，你就不指望大家还留在那里。人都散了。 海明威 《乞力马扎罗的雪》

8. 他是个独自在湾流中一条小船上钓鱼的老人，至今已去了八十四天，一条鱼也没逮住。 海明威 《老人与海》

9. 我想起所有的一代代人都让一些事情给搞得迷惘了，历来如此，今后也将永远如此。 海明威 《流动的盛宴》

10. 这样，我终于会写出一句真实的句子，然后就此写下去。这时就容易了，因为总是有一句我知道的真实句子，或者曾经看到过或者听到有人说过。如果我煞费苦心地写起来，像是有人在介绍或者推荐什么东西，我发现就能把那种华而不实的装饰删去扔掉，用我已写下的第一句简单而真实的陈述句开始。 海明威 《流动的盛宴》

11. 当春天来临，即使是虚假的春天，除了寻找什么地方能使人过得最快活以外，没有别的问题了。唯一能败坏一天的兴致的要算人了，而如果你能做到不跟别人约会，那么每一天都没有止境了。对你的愉快心情构成障碍的总是人，除非是极少数像春天那样美好的人。 海明威 《流动的盛宴》

12. 那是在欧洲，我们认为葡萄酒是一种像食物一样有益于健康的正常饮料，也是能使人愉快、舒畅和喜悦的伟大的赐予者。喝葡萄酒不是一种讲究派头的行为，不是一种矫揉造作的标志，也不是一种时尚;它和吃饭一样自然，而且在我看来和吃饭一样不可缺少，因此我无法想象吃一顿饭而不喝葡萄酒或者连一杯苹果汁或啤酒都不喝。 海明威 《流动的盛宴》

13. ①优于别人并不高贵，真正的高贵，应该是优于过去的自己; ②青年人要有老年人的沉着，老年人应有青年人的精神; ③生活总是让我们遍体鳞伤，但到后来，那些受伤的地方一定会变成我们最强壮的地方。 海明威

14. 每个人生下来都要从事某项事业，每一个活在地还应上的人都有自己生活中的义务。 海明威

15. 他跟这个女人从来没有大吵大闹过，而他跟他爱上的那些女人却吵得很厉害，最后由于吵嘴的腐蚀作用，总是毁了他们共同怀有的感情：他爱得太深，要求得也太多，这样就把一切全都耗尽了。 海明威 《乞力马扎罗的雪》

16. 这两个肩膀挺怪，人非常老迈了，肩膀却依然很强健，脖子也依然很壮实，而且当老人睡着了，脑袋向前耷拉着的时候，皱纹也不大明显了。 海明威 《老人与海》

17. 巴黎永远没个完，每一个在巴黎住过的人的回忆与其他人的都不相同。我们总会回到那里，不管我们是什么人，她怎么变，也不管你到达那儿有多困难或者多容易。巴黎永远是值得你去的，不管你给她什么，你总会有回报。不过这乃是我们还十分贫穷也十分幸福的早年时代巴黎的情况。 海明威 《流动的盛宴》

18. 老人消瘦而憔悴，脖颈上有些很深的皱纹。腮帮上有些褐斑，那是太阳在热带海面上反射的光线所引起的良性皮肤癌变。褐斑从他脸的两侧一直蔓延下去，他的双手常用绳索拉大鱼，留下了刻得很深的伤疤。但是这些伤疤中没有一块是新的。它们象无鱼可打的沙漠中被侵蚀的地方一般古老。他身上的一切都显得古老，除了那双眼睛，它们象海水一般蓝，是愉快而不肯认输的。 海明威 《老人与海》

19. 他们接下来没有飞往阿鲁沙，而是向左转了一个弯，他据此推断他们的燃油够用了，往下，他看见一片移动着的粉色云彩，正飘过大地，从空中望去，就像突如其来的暴风雪中的第一阵雪，他知道蝗虫正从南边飞来。他们开始爬升，好像在往东飞，接着天色暗了下来，他们遇到一场暴风雨，大雨如注，仿佛是在穿越一到瀑布，突然，他们就从暴风雨中钻出来了，康毕转过头来，对他咧嘴一笑，用手指了指，前方，他目所能及的像整个世界一样壮阔，雄伟高耸，在阳光下白得令人难以置信，正是乞力马扎罗山方形的山顶。他于是明白了，那就是他要去的地方。 海明威 《乞力马扎罗的雪》

20. 在某种意义上，所有事物都在互相残杀。捕鱼就是要了我的老命，可是它同时也养活我。 海明威 《老人与海》

21. 他一向鄙视那些毁了的人。你根本没有必要去喜欢这一套，因为你了解这是怎么回事。什么事情都骗不过他，他想，因为什么都伤害不了他，如果他不在意的话。 好吧。现在要是死，他也不在意。他一向害怕的一点是痛。他跟任何人一样忍得住痛，除非痛的时间太长，痛得他精疲力竭，可是这儿却有一种什么东西曾经痛得他无法忍受，但就在他感觉到有这么一种东西在撕裂他的时候，痛却已经停止了。 海明威 《乞力马扎罗的雪》

22. 假如你有幸在巴黎度过青年时代，那么，在此后的生涯中，无论走到哪里，巴黎都会在你心中。因为，巴黎是一个流动的圣节。 欧内斯特米勒尔海明威 《流动的盛宴》

23. 在施轮兹，圣诞节那天，雪是那么晶莹闪耀，你从小酒店望出去，刺得你眼睛发痛，你看见每个人都从教堂网自己的家里走。就在那儿，他们肩上背着沉重的滑雪板，走上松林覆盖的陡峭的群山旁的那条给雪橇磨得光溜溜的、尿黄色的河滨大道，就在那儿，他们从玛德莱屋上面那道冰川的长坡上一路滑下，那雪看来平滑得像蛋糕上的糖霜，轻柔得像粉末，他记得阒无声息的滑行，速度之快，使你仿佛像一支飞鸟从天而降。 海明威 《乞力马扎罗的雪》

24. 那简直就是在跟石像告别。过了一会儿，我走了出去，离开医院，冒雨走回旅馆。 海明威 《永别了，武器》

25. 你杀死它是为了自尊心，因为你是个渔夫。它活着的时候你爱它，它死了你还是爱它。如果你爱它，杀死它就不是罪过。也许是更大的罪过吧? 海明威 《老人与海》

26. 生活总是让我们遍体鳞伤，可是后来，那些受过的伤终将长成我们最强壮的地方 海明威 《海明威全集》

27. 他从未和这个女人大吵大闹过，可和那些他爱过的女人在一起时，他吵的很凶，由于争吵的腐蚀，最终总是把他们所拥有的东西毁灭掉。他爱得太深，要求也太高，一切都被消耗殆尽。 海明威 《乞力马扎罗的雪》

28. 偏执是件古怪的东西。偏执的人必然绝对相信自己是正确的，而克制自己，保持正确思想，正是最能助长这种自以为正确和正直的看法。 海明威

29. 你没必要把我也毁了，对吧?我只是个爱你的中年女人，愿意去做你想做的事情。我已经被毁过两三次了。你不会再毁我一次吧。对吗?我想在床上把你毁上个几次。 海明威 《乞力马扎罗的雪》

30. 只向老人低头。

31. 没有失败,只有战死。

32. 所有的罪恶都始于清白。

33. 只要你不计较得失，人生还有什么不能想法子克服?类别:理想

34. 上帝创造人,不是为了失败。

35. 生活与斗牛差不多。不是你战胜牛,就是牛挑死你。

36. 胜利者一无所获。

37. 如果你有幸在年轻时居住过paris，那paris将会跟着你一辈子。

38. 只要你不计较得失，人生还有什么不能想法子克服的?类别:人生

39. 二十世纪的丧钟为人类而鸣!

40. 只要你不计较得失，人生还有什么不能想法子克服?类别:人生

41. 人生来就不是为了被打败的,人能够被毁灭,但是不能够被打败。

42. 对一个作家最好的训练是不愉悦的童年。

43. 自我就是主宰一切的上帝，倘若想征服全世界，就得先征服自我。

44. 只要不计较得失，人生便没有什么不能克服的!

45. 只要你不计较得失的话，人生还有什么不能想法子克服的?类别:人生

46. 最后我觉得他自题的墓志铭也能表现出他的思想和语言特色：恕我不起来啦!

47. 我多期望在我只爱她一个人时就死去。

48. 偏执是件古怪的东西。偏执的人必然绝对坚信自我是正确的，而克制自我，持续正确思想，正是最能助长这种自以为正确和正直的看法。

49. 冰山户外之雄伟壮观，是正因他只有八分之一在水面上。水底的部分占整座冰山的八分之七。

50. “人不是生来要给打败的,一个人能够被毁灭掉,但不能被打败”。这体现了海明威主人公对待人类社会的基本态度,因此,这些人所表现出来的“硬汉性格”显得深沉有力真实。

51. 每个人生下来都要从事某项事业，每一个活在地还应上的人都有自我生活中的义务。类别:事业

52. 每个人生下来都要从事某项事业，每一个活在地还应上的人都有自我生活中的义务。类别:人生

53. 每一个人都需要有人和他开诚布公地谈心。一个人尽管能够十分英勇，但他也可能十分孤独。

54. 每个人都不是一座孤岛，一个人务必是这世界上最坚固的岛屿,然后才能成为大陆的一部分。

55. 那简直就是在跟石像告别。过了一会儿，我走了出去，离开医院，冒雨走回旅馆。 海明威 《永别了，武器》

海明威人生英文名人名言 第2篇

2. 你都累到骨头里去了。 海明威 《老人与海》

3. 人可以失败，但不可以被击败 海明威

4. 那时的巴黎对我，是一个流动的圣节。 海明威

5. 一个人可以被毁灭，但不能被打败。 海明威 《老人与海》

6. 人不抱希望是很傻的。 海明威 《老人与海》

7. 不过话得说回来，没有一桩事是容易的。 海明威 《老人与海》

8. 爱你时，觉得地面都在移动。 海明威

9. 只要不杀死我们的困难都会使我们更坚强。 海明威

10. 如果他以谎言为生，他就应该试着以谎言而死。 海明威 《乞力马扎罗的雪》

11. 他明白没有人在海上是 完全孤独的。 海明威 《老人与海》

12. 每样东西都杀死别的东西，只不过方式不同罢了 海明威 《老人与海》

13. 这个世界如此美好，值得人们为它奋斗。我只同意后半句 海明威 《战地钟声》

14. 我们必须习惯 站在人生的交叉路口，却没有红绿灯的事实。 海明威

15. 只要你不计较得失，人生还有什么不能想法子克服的? 海明威

16. 优于别人，并不高贵，真正的高贵应该是优于过去的自己。 海明威

17. 现在不是去想缺少什么的时候，该想一想凭现有的东西你能做什么。 海明威 《老人与海》

18. “陆地上空的云块这时候像山冈般耸立着,海岸只剩下一长条绿色的线,背后是些灰青色的小山.海水此刻呈现蓝色,深的简直发紫了. 海明威 《老人与海》”

19. 一想到我的生命消逝得那么迅速，而我并不是真正地活着，我就受不了 海明威 《太阳照常升起》

20. 每一天都是一个新的日子。走运当然是好的，不过我情愿做到分毫不差。这样，运气来的时候，你就有所准备了。 海明威 《老人与海》

21. 在白天对什么都不动感情是极为容易的，但在夜晚就是另外一回事了。 海明威 《太阳照常升起》

22. 每个人都不是一座孤岛，一个人必须是这世界上最坚固的岛屿，然后才能成为大陆的一部分。 海明威 《丧钟为谁而鸣》

海明威人生英文名人名言 第3篇

A proverb said that:“As a man thinks, so is he.”In other words it means that thinking affects one’s behavior and character.But what affects a writer’s thinking?A writer’s experiences could deeply influence his thinking, his writing style, and moreover, be reflected in his works.And a successful writer cannot get any achievement without the influence of other great writers or thinkers.So by the effect of his own experiences and the influence of other writers and thinkers, Dreiser gains his own position in American literature, and gets a reputation as one of the most important novelist of realism in America.

1. Effects of family background

Theodore Dreiser had a kind of suffering experience in his childhood.That was a painful memory to him.

The ninth of ten children in his family whose father, a German immigrant used to be very successful in the woolen business.But after his factory was burned to the ground by a terrible fire, the whole family never recovered from this economic fall.Because of poverty, Dreiser’s elder brothers and sisters had to drop out of school to find jobs.Dreiser and his younger brother were in rags and had to sneak coal from the tracks of the railroad.When grew older, Dreiser also had to go out of home to Chicago and to work at whatever jobs he could find.Because the family moved from town to town, Dreiser did not receive a systematic education.He used to go to a German American parochial school and a public school, and only had one-year college life.

Poverty and unstable life left a deep impression on young Dreiser.Many years later when he saw the poor in the street, he still felt“a kind of unknown fearand this kind of painful feeling is just as the real pain on body”.2 Such suffering experience in Dreiser’s life let him always pay more attention to the poor and lower-class people who struggled to live, and he also always concerned himself with the social problems.

Lack of systematic education also brought pains to Dreiser and affected him a lot.Although he used to go to a German American parochial school, he learnt nothing there.The boring preachments and the strict Roman Catholic training let Dreiser fear to go to that school, and then made him dislike it very much.

Lack of education also made Dreiser have some shortcomings in his writing, although his later experiencesbeing a newspaper reporter strengthened his ability of writing.He never mastered the grammar or developed a rich vocabulary.So in his works, he had to put much of his energy on materials and facts instead of the genteel wording.

2. Experiences of his career in journalism

In the year 1897, Dreiser found a job on“Chicago Globe”and began his life as a newspaper reporter.Later he worked for the St.Louis Globe-Democrat, St.Louis Republic, Pittsburgh Dispatch, Globe-Democrat and Republic and he used to be editor of several women magazines.Dreiser’s sensitivity and intense curiosity about life made him fit for the position of an investigative newspaper reporter.He got success in the press circles.He once believed that to interview those important and dignified people of upper-class meant that he was on equal term with them.

But his career in journalism did have uses in his writing.First, Dreiser learnt all the aspects of American society when working as a newspaper reporter.Such experiences broadened his vision and enlarged his scope of knowledge.He accumulated many materials for his later creations from his observation as the big-city reporter who had traveled to many big cities.He tried to use the local settings, dialogues and character sketches to write some special feature stories which were more useful for his later creative works.As his eyes always“stared at”all kinds of adversities in the society, he could depict the lifelike wretched character in his works.That’s why Dreiser could create one of the most memorable charactersGeorge Hurst wood in American literature.And his meticulous observation could be perfectly reflected in the following part excerpted from his first novel“Sister Carrie”:

They (the vagrants) were all pale, flabby, sunkeneyed, and hollow-crested with eyes that glinted and shone and lips that were a sickly red by contrast.Their hair was but half attended to, their shoes broken in leather and ran down at heel and toe.They were of the class which simply floats and drift, every wave of people washing up one, as breakers do drift-wood upon a stormy shore.5

Second, from this job Dreiser formed a kind of journalistic style of writing in his works.He benefited a lot from his“on-the-scene”reporting style.He used to report a streetcar strike in Brooklyn by actually going out and riding the rails during the strike to see the chaotic scene, and later he adopted this scene of streetcar strike in the novel“Sister Carrie”.In his creative works, his journalist’s habit was always useful.He used the journalistic ways to collect information and material.When writing the“An American Tragedy”, he even went to the lake where the real crime occurred to do social investigation.And he also consulted the datum about several similar crimes and the court documents, local newspapers.So he could describe the crime authentically.

3 Influence of some great writers and thinkers

In Dreiser’s autobiography“A Book about Myself”, he told us his feelings when he first read Balzac,

It seems that a new door lead to life suddenly open in front of meI am eating, sleeping, dreaming and breathing with the characters in Balzac’s worksMy brain is full of his thinking, my eyes just see the cities depicted by himSo I have a new understanding to the world.6

Dreiser admired Balzac very much for he could depict the life penetratingly and profoundly.In Balzac’s works, all men’s fates were controlled by chance.Someone succeeded while someone failed, but they all pursued the same thingswealth, prestige and position.This kind of description of the real life“enlightened”Dreiser’s thinking.From then on, all the things in the world seemed like what Balzac described in his works.From Balzac’s works, Dreiser understood the true meaning of liferich and colorful, resplendent and showy.“Life is beautiful, dramatic, tragic, pleased and splendidlife is the sum total of all these.”7 Balzac let Dreiser know how to write a novel.Dreiser decided to fully depict the real-life subjects by the ways Balzac used.Balzac’s masterpieces prepared a solid foundation for Dreiser’s later creation and deeply influenced his writing style.So Dreiser’s first novel“Sister Carrie”just used Balzac’s style of realism to create a new field for American literature.At that time Victorian genteel tradition was popular among American literature.Most of writers only wrote the good aspect of life.Life in their works was full of happiness and pleasure.Men in novels were all tall, handsome, rich and kindhearted while women were all good wives and kind mothers, and neighbors were all friendly to each other.Only by this, could a novel be considered as a good and successful work.You could not see the hideous aspect of life at all.But Dreiser’s first novel“Sister Carrie”broke this tale by depicting a picture of how the lowerclass woman tried her best to get success and glorious life.Life, only in his novel was the truth in the society.And those kinds of thinking and writing style came from Balzac’s works and his influence.

Spencer also affected Dreiser a lot.From Spencer’s thinking and conception, Dreiser understood all the things he found as a newspaper reporter.Spencer’s conception about morality and desire helped Dreiser to explain the confusion obsessing him for a long time.Spencer pointed out that“Desire is the spark plug of human engine.It lights the consciousness and drives men and women to pursue happiness.It is not important for what a person want to do, so it is no difference about whether he/she has morality or not.”8 From Spencer’s conception and his sisters’affairs, Dreiser formed his own idea about morality and desire, and used these conceptions in his works, especially in“Sister Carrie”.

In chapter one of“Sister Carrie”, Dreiser just showed his stinging sarcasm towards the rules of morality about girls’fate in the city, which were very popular among people at that time.“When a girl leaves her home at eighteen, she does one of two things.Either she falls into saving hands and become better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse.”9 And in this novel he also told us that:

For all the liberal analysis of Spencer and own modern naturalistic philosophers, we have but an infantile perception of morals.There is more conformity to a law of evolution.It is yet deeper than conformity to things of earth alone.It is more involved than we as yet perceive.10

As for the desire, influenced by Spencer, Dreiser also formed his own explanation.He thought that it was really normal for talking about sex in life.He thought that men’s greatest appetite was sexualthe desire for women.In his own life, Dreiser played the life-long practice of his principles.He seemed never to be able to devote himself to one woman.He always involved with more than one woman at the same time.From his own experiences he concluded“It is true that the strength of enticement is inevitable for those people without strong will.”11

Thanks to the principle and conception about lust, Dreiser never avoided such things in his novels and also gave stinging sarcasm to those hypocritical people.In“Jennie Gerhardt”he sighed with emotion that:“The loveliness of seventeen is centuries old.That is why passion is almost sad.If all beauty were passing, and you were given these things to hold in your arms before the world slipped away, would you give them up?”12 And he also laughed at those hypocritical people with sarcastic tone in two of his novels:

Probably one could not attain to or retain one’s place in so remarkable a world as this unless one was indifferent to sex, a disgraceful position, of course.And hence in the presence or under the eyes of such people one had to act and seem as though such thoughts as from time to time swayed one were far from one’s mind.13

It is curious that a feeling of this sort should spring up in a world whose very essence is generative, the vast process dual, and where wind, water, soil, and light alike minister to the fruition of that which is all that we are.Although the whole earth, not we alone, is moved by passions hymeneal, and everything terrestrial has come into being by the one common road, yet there is that ridiculous tendency to close the eyes and turn away the head as if there were something unclean in nature itself.“Conceived in iniquity and born in sin, ”is the unnatural interpretation put upon the process by the extreme religionist, and the world, by its silence, gives assent to a judgment so marvelously warped14

From these excerpts, Dreiser told us the truthwhat most of us avoided to talk about did not mean that it did not exist.Everyone in the world had right to pursue his/her desire of all the beautiful things.That was normal.

Freud’s theories were used by Dreiser in his works in the early time.He compounded Freud’s theory of psychological analysis with the theory of social-background of realism to create his characters’behavior and psychological activities.He used Freud’s theories of sexual, subconscious, hallucination and dreamland into his works.For example, when he wrote the plot that Clyde killed the poor woman, he used theories of subconscious and hallucination to“help”Clyde finished his crime.He also used the psychological analysis to create the character Clyde and made he fall into the trap of desire.Those made his works gain great artistic appeal.

Affected by his personal experiences and influenced by many great writers and thinkers.Theodore Dreiser got great achievements and gained his own position in American literature history.We could say that if he did not come from the bottom of the society, if he did not suffer from the painful experiences, if he were not affected by the great writers and thinkers, he could not gain his position, could not get any achievement and could not make great contributions to American literature.

At the end of this paper, I would like to conclude it by using H.L.Mencken’s statement upon Dreiser’s death on Dec.28th, 1945.

26个英文字母中蕴藏的人生哲理 第4篇

B——Belief（信念） 做事有坚定的信念。

C——Confidence（信心） 对自己充满信心。

D——Dreaming（梦想） 拥有梦想。

E——Empathy（共鸣） 为人着想。

F——Fun（乐趣） 享受学习的乐趣。

G——Giving（给予） 助人为乐。

H——Hope（希望） 生活充满希望和阳光。

I——Imagination（想象力） 展开想象的翅膀奋力飞翔。

J——Joy（欢乐） 给朋友带来欢乐。

K——Knowledge（知识） 不断学习各种知识。

L——Love（爱心） 奉献爱心。

M——Motivation（激励） 激励自己，超越自我。

N——Nice（友善） 即使对陌生人也保持一颗善心。

O——Openness（开化） 敞开胸怀，接受新事物。

P——Patience（耐心） 坚持就是胜利，耐心等待成功。

Q——Quiet（安静） 找一个安静的地方反省自己。

R——Respect（尊重） 尊重所有的种族、宗教、文化、信仰及价值观。

S——Smile（微笑） 用微笑面对绝望的困境。

T——Trust（信任） 信任亲戚、朋友和其他人。

U——Unity（团结） 与周围的人团结一致、和平相处。

V——Voice（声音） 勇敢地说出自己的想法。

W——Weakness（缺点） 正视自己的缺点。

X——Xfactor（未知因素） 挖掘自己的潜力。

Y——Youth（少年） 今日少年，明日栋梁。

海明威人生名言警句 第5篇

2. 在战争中我观察了好久，并没有看到所谓神圣，光荣的事物。所谓牺牲，那就像芝加哥的屠宰场。只不过这里屠宰好的肉不是装进罐头，而是就地掩埋。 海明威 《永别了武器》

3. 男女之间虽然相爱，却时常想要单独静一下，而一分开，必然招来对方猜忌。 海明威 《永别了武器》

4. 1)我始终相信，开始在内心生活得更严肃的人，也会在外表上开始生活得更朴素。 2)悔恨自己的错误，而且力求不再重蹈覆辙，这才是真正的悔悟。 3)真正的高贵应该是优于过去的自己。 海明威 《真实的高贵》

5. 决不要同你并不爱的人一起出门旅行。 不要搞任何花招去迎接任何一种俗套。 海明威 《流动的盛宴》

6. 但是这就是巴黎早期的样子，那时候我们很穷，却很幸福。 欧内斯特海明威 《流动的盛宴》

7. 我们生下来有什么就是什么，从来不需学会什么，我们从来不吸收任何新的东西。 海明威 《永别了武器》

8. 在人生或者职业的各种事务中，性格的作用比智力大得多，头脑的作用不如心情，天资不如由判断力所节制着的自制，耐心和规律。 海明威 《真实的高贵》

9. 我同情所有不想上床睡觉的人。同情所有夜里要有亮光的人。 海明威 《乞力马扎罗的雪》

10. 一个国家里有个统治阶级，愚蠢，什么都不懂，并且永远不会懂得。战争就是这样打起来的。 海明威 《永别了武器》

11. 我已经学会决不要把我的写作之井汲空，而总是在井底深处还留下一些水的时候停笔，并让那给井供水的泉源在夜里把井重新灌满。 海明威 《流动的盛宴》

12. 爱情是一场游戏，就像打桥牌一样。不过这不是玩牌，而是叫牌。就像桥牌一样，你得假装作你是在赌钱，或是为了什么别的东西而打赌。没有人提起下的赌注是什么。 海明威 《永别了武器》

13. “乞力马扎罗是一座海拔一万九千七百一十英尺的长年积雪的高山, 据说它是非洲最高的一座山. 西高峰叫马塞人的”鄂阿奇鄂阿伊”，即上帝的庙殿. 在西高峰的近旁, 有一具已经风干冻僵的豹子的尸体. 豹子到这样高寒的地方来寻找什么, 没有人作过解释. 海明威 《乞力马扎罗的雪》”

14. 然而，在那些日子里，春天最后总是来临，但是使人心惊的是它差一点来不了海明威 《流动的盛宴》

15. 如果你什么都做得太久，开始得太晚，你就不指望大家还留在那里。人都散了。 海明威 《乞力马扎罗的雪》

16. 他是个独自在湾流中一条小船上钓鱼的老人，至今已去了八十四天，一条鱼也没逮住。 海明威 《老人与海》

17. 但是巴黎是一座非常古老的城市，而我们却很年轻，这里什么都不简单，甚至贫穷、意外所得的钱财、月光、是与非以及那在月光下睡在你身边的人的呼吸，都不简单。 海明威 《流动的盛宴》

18. 你知道春天永远不会消失，如同你知道河水结冰后还会再流淌，当凄风枯雨赶走春天之时，就像一个年轻人无缘无故地死去。 海明威

19. 我想起所有的一代代人都让一些事情给搞得迷惘了，历来如此，今后也将永远如此。 海明威 《流动的盛宴》

小说家海明威人生名言警句 第6篇

2、他已经明白了一个道理：做人只能过一天算一天，只有当天才能作数。只要天还没黑，就还是今天，到了明天，就又是一个今天。这辈子他懂得的道理，就数这一条最重要了。

3、我始终相信，开始在内心生活得更严肃的人，也会在外表上开始生活得更朴素。在一个奢华浪费的年代，我希望能向世界表明，人类真正需要的的东西是非常之微少的。

4、我们花了两年来学会说话，却要花上六十年来学会闭嘴。大多数时候，我们说得越多，彼此的距离却越远，矛盾也越多。在沟通中，大多数人总是急于表达自己，一吐为快，却一点儿也不懂得对方。两年学说话，一生学闭嘴。懂与不懂，不多说。心乱心静，慢慢说。若真没说，就别说。

5、每一个人在世界上都要受挫折，有许多人反而在折断的地方长得最结实，

资料

6、在人生或者职业的各种事务中，性格的作用比智力大得多，头脑的作用不如心情，天资不如由判断力所节制着的自制，耐心和规律。

7、每一天都是一个新的日子。走运当然是好的，不过我情愿做到分毫不差。这样，运气来的时候，你就有所准备了。

8、优于别人，并不高贵。真正的高贵，应该是优于过去的自己。

9、如果你有幸在年轻时到过巴黎，那么以后不管你到哪里去，它都会跟着你一生一世。巴黎就是一场流动的盛宴。

英文人生名言 第7篇

我们决定我们建筑的形状，而后它们影响我们。 (winston churchill，丘吉尔)

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读书名言 英文版

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英文名言警句：生命 爱情

英文名言警句：文化 商务

英文名言警句大全

(英文)世界名人名言警句

关于书的英文名言警句

10句英文名人名言

英文双语人生名言 第8篇

1.人生短短几十年，不要给自己留下了什么遗憾，想笑就笑，想哭就哭，该爱的时候就去爱，无谓压抑自己。

be sure that you have never had any regrets in your life which only lasts for a few decades. laugh or cry as you like, and it is meaningless to oppress yourself.

2.于千万人之中，遇见你所遇见的人；于千万年之中，时间的无涯荒野里，没有早一步，也没有晚一步，刚巧赶上了。

among thousands of people, you meet those you’ve met. through thousands of years, with the boundlessness of time, you happen to meet them, neither earlier nor a bit too late.

3.记住该记住的，忘记该忘记的。改变能改变的，接受不能改变的.

remember what should be remembered, and forget what should be forgotten.alter what is changeable, and accept what is mutable.

4.能冲刷一切的除了眼泪，就是时间，以时间来推移感情，时间越长，冲突越淡，仿佛不断稀释的茶。 apart from tears, only time could wear everything away. while feeling is being processed by time, conflicts would be reconciled as time goes by, just like a cup of tea that is being continuously diluted.

5.鱼对水说你看不到我的眼泪，因为我在水里.水说我能感觉到你的眼泪，因为你在我心里。

“you couldn’t see my tears cause i am in the water.” fish said to water.“but i could feel your tears cause you are in me.”answered water.

6.我们确实活得艰难，一要承受种种外部的压力，更要面对自己内心的困惑。在苦苦挣扎中，如果有人向你投以理解的目光，你会感到一种生命的暖意，或许仅有短暂的一瞥，就足以使我感奋不已。

its true that we have been leading a difficult life, for we need not only to be under various external pressures, but also to be in the face of internal perplexities.you would be affected by the warmth of life if someone gives you an understanding look during your bitter struggle.even a mere glance would make you moved and inpired.

7.我不去想是否能够成功,既然选择了远方,便只顾风雨兼程；我不去想,身后会不会袭来寒风冷雨,既然目标是地平线,留给世界的只能是背影

i wouldnt care success or failure, for i will only struggle ahead as long as i have been destined to the distance. i wouldnt care the difficulties around, for what i can leave on the earth is only their view of my back since i have been marching toward the horizontal.

8.后悔是一种耗费精神的情绪.后悔是比损失更大的损失,比错误更大的错误.所以不要后悔。

penitence is something that enervates our spirit, causing a greater loss than loss itself and making a good words !

9.快乐要有悲伤作陪，雨过应该就有天晴。如果雨后还是雨，如果忧伤之后还是忧伤．请让我们从容面对这离别之后的.离别。

微笑地去寻找一个不可能出现的你！

happiness is accompanied by sorrow, and it would turn sunny after rain as well. if rain remains after rain and sorrow remains after sorrow, please take those farewells easy, and turn to smilingly look for yourself who is never to appear.

10.生命中，不断地有人离开或进入。于是，看见的，看不见了；记住的，遗忘了。生命中，不断地有得到和失落。于是，看不见的，看见了；遗忘的，记住了。

然而，看不见的，是不是就等于不存在？记住的，是不是永远不会消失？

关于人生的名言英文 第9篇

2. Justice has long arms. 天网恢恢，疏而不漏。

3. I cannot be your friend and your flatterer too. 朋友不能阿谀奉承。

4. If a man deceives me once, shame on him, if he deceives me twice, shame on me. 上当一回头，再多就可耻。

5. If you make yourself an ass, don‘t complain if people ride you.人善被人欺，马善被人骑。

6. If your ears glow, someone is talking of you. 耳朵发烧，有人念叨。

7. If you run after two hares, you will catch neither. 脚踏两条船，必定落空。

8. If you venture nothing, you will have nothing. 不入虎穴，焉得虎子。

9. If you want knowledge, you must toil for it. 要想求知，就得吃苦。

10. It is better to die when life is a disgrace. 宁为玉碎，不为瓦全。

11. It is easy to open a shop but hard to keep it always open. 创业容易守业难。

12. It is the unforeseen that always happens. 天有不测风云，人有旦夕祸福。

13. It is too late to grieve when the chance is past. 坐失良机，后悔已迟。

14. It takes three generations to make a gentleman. 十年树木，百年树人。

15. Keep good men company and you shall be of the number.近朱者赤近墨黑。

16. Kill two birds with one stone. 一箭双雕。

17. Kings go mad, and the people suffer for it 君王发狂，百姓遭殃。

18. Kings have long arms. 普天之下，莫非王土。

19. Knowledge is power. 知识就是力量。

20. Knowledge makes humble, ignorance makes proud. 博学使人谦逊，无知使人骄傲。

21. Learn and live. 活着，为了学习。

22. Learning makes a good man better and ill man worse.好人越学越好，坏人越学越坏。

23. Learn not and know not. 不学无术。

24. Let sleeping dogs lie. 别惹麻烦

25. Learn to walk before you run. 先学走，再学跑。

26. Let bygones be bygones 过去的就让它过去吧。

27. Let the cat out of the bag. 泄漏天机。

28. Life is but a span. 人生苦短。

29. Lies can never changes fact. 谎言终究是谎言。

30. Lies have short legs. 谎言站不长。